Dori DeCamillis

Located on the Fort Morgan Peninsula of Alabama’s Gulf Coast, Bon Secour consists of 7,000 acres of protected beach and pine-oak woodlands, some of the state’s last remaining undisturbed coastal wildlife habitat. This relatively small area preserves dunes, marshes, wetlands, scrub and old forest habitats crucial to the survival of many animal species. The tiles on my piece represent the animals, some endangered, found in Bon Secour either permanently or temporarily. Each spring and fall migratory birds can be sighted as they fly though toward their seasonal destinations. Summer brings nesting sea turtles and osprey, while October hosts the migration of Monarch butterflies. The endangered Beach Mouse makes a permanent home at Bon Secour, and feeds on the local sea oats, pictured in the center of my piece. The botanicals around the outside of the panel were painted from photos from an October trail hike, when many wildflowers were in bloom, and the shells around the centerpiece were

I was most surprised on my Cahaba River canoe trips by the amazing amount of wildlife in and around the river. Every time Randy Haddock, the Cahaba River Society’s biologist, dipped a net into the water to show us river creatures, he pulled out an abundance of various snails, mussels, fish, and crawfish. Shiny, colorful dragonflies and damselflies darted around us all day. Each stop along the shoals became a treasure hunt for one of the many rare species of river fauna. My astonishment is corroborated by statistics; the Cahaba contains more fish species per mile than any other river in North America. The river also holds the most snail and mussel species in the world. Rare plant life abounds as well; the shoals and glades host a variety of uncommon and endangered plant species, including the Cahaba Lilly, depicted at the center of my painting. Unfortunately, the Cahaba River is also considered to be one of the top ten most endangered rivers in North America. Problems such as urbani

The Alabama Theatre was the original inspiration for my current painting format. I marveled at its lavishness, and soon after began using elaborate, architectural-inspired ornamentation not to decorate my work, but as the subject. When I walk into a cathedral, or a place like the Alabama, I imagine the artists who created it, the time they spent, the care they put into their craft. The magnitude of scale and intricacy of detail are a visual banquet, and a testimony of loving dedication to the meditative, slow, and time-honored tradition of being an artisan and manual craftsman. Brought together in 1926, the leading theater architects of the day and artists from all over the world designed and constructed the Alabama—the biggest and most elaborate movie palace in the South. The fabulously opulent interior has stunned the imagination of visitors ever since it opened. For 54 years the Alabama entertained the community with Hollywood feature films often preceded by an organ show played

I moved to Alabama 16 years ago, amazed by the historical and natural wonders that are largely overlooked by Alabamians. I received the Alabama State Council on the Arts Individual Artists Fellowship for 2006-07 which inspired a series of paintings in my mixed-media panel format based on some of my favorite Alabama places. The Mobile Museum of Art has scheduled an exhibit of the project for the spring of 2011. I photograph extensively at each location and gather hundreds of images for inspiration. From the photos I piece together themes involving animals, plants, patterns, scenes. I find the random and profuse imagery captures the essence of the place better than one straightforward image of a view. Sometimes I like to render with scientific precision, other times it seems appropriate to give only an impression of the imagery. I enjoy the challenge of combining visually diverse styles, and my use of various mediums lends itself to this contrast. The most wonderful surprise to come ou